Starring : Do-yeon Jeon, Jung-woo Ha
The beginning of My Dear Enemy is an extended traveling shot, what appeared to be one continuous take. The camera follows a couple discussing possibly investing in real estate, only to be diverted by a group of men debating where to catch lunch, before finally settling on a woman who is entering what is revealed to be the betting area of a race track. It is the one display display of technical bravura before Lee concentrates on his story. The opening shot, which deliberately misleads the audience fits in with the rest of the film in which the filmmaker subverts assumptions the audience might have about his two main characters.
The story is simple: Hee-su finds former boyfriend Byong-woon in the race track betting area. She insists that he return $3500 that day that he borrowed under questionable circumstances a year earlier. Hee-su is adamant that she will not leave Byong-woon until he makes good on his IOU. The remainder of the film is a sort of road movie, a more localized one, with a journey through various part of Seoul.
Byong-woon's idea of repaying Hee-su consists mostly of borrowing money or calling in debts from various friends and relatives. To Hee-su's chagrin, she discovers that Byong-woon might not have a girl in every proverbial port, but seems to have female friends in every neighborhood where they stop. What Hee-su learns about Byong-woon is that in spite of his failings in business, he is loved for his generosity of spirit.
The beginning of My Dear Enemy is an extended traveling shot, what appeared to be one continuous take. The camera follows a couple discussing possibly investing in real estate, only to be diverted by a group of men debating where to catch lunch, before finally settling on a woman who is entering what is revealed to be the betting area of a race track. It is the one display display of technical bravura before Lee concentrates on his story. The opening shot, which deliberately misleads the audience fits in with the rest of the film in which the filmmaker subverts assumptions the audience might have about his two main characters.
The story is simple: Hee-su finds former boyfriend Byong-woon in the race track betting area. She insists that he return $3500 that day that he borrowed under questionable circumstances a year earlier. Hee-su is adamant that she will not leave Byong-woon until he makes good on his IOU. The remainder of the film is a sort of road movie, a more localized one, with a journey through various part of Seoul.
Byong-woon's idea of repaying Hee-su consists mostly of borrowing money or calling in debts from various friends and relatives. To Hee-su's chagrin, she discovers that Byong-woon might not have a girl in every proverbial port, but seems to have female friends in every neighborhood where they stop. What Hee-su learns about Byong-woon is that in spite of his failings in business, he is loved for his generosity of spirit.
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